“A person’s home is inviolable”. Ludovic Boney’s Family Gathering

Ludovic Boney, Rassemblement familial (Family Gathering), Installation at the Visual Arts Gallery of Laval University, 2019. (detail) Photo : Marie Perrault

On a masterful installation by Ludovic Boney presented at the Visual Arts Gallery from April 11 to May 19, 2019 and designed specifically for the venue.

What Plants Can Tell

What Plants Can Tell , with artists Evergon and Jean-Jacques Ringuette of Chromogenic Curmudgeons (Montréal), Joscelyn Gardner (London, Ontario), Catherine Lescarbeau (Gatineau), Marie-Eve Martel (Blainville), Émilie Payeur (Montréal), Amélie Proulx (Lévis), and Laura St.Pierre (Saskatoon), presented at the Stewart-Hall Art Gallery, from December 7, 2019 to Januaray 19, 2020. Human activity is closely connected to… Continue reading What Plants Can Tell

Delusional hedonism. NSPSLL! by Ludovic Boney

Ludovic Boney, NSPSLL, Action Art Actuel, Saint-Jean-Sur-Richelieu, 2018. Photo : Marie Perrault

On an installation by Ludovic Boney at Centre Action Art Actuel (Saint-Jean-sur-Richelieu, Qc), March 15 – April 21, 2018, subsequently adapted for Le Lieu – Centre en art actuel (Quebec City) in 2019 and Galerie Pierre-François-Ouellette Art Contemporain (Montreal) in 2021.

Graeme Patterson. A Suitable Den. A Landmark Den

Graeme Patterson, A Suitable Den, Galerie des arts visuels de l’Université Laval (Laval University Visual Arts Gallery), 2018. (detail). Photo : Michel Boucher

For the Mois Multi 2018’s program, Graeme Patterson adapted an installation originally designed for the BMO Project Room, a small office on the 68th floor of the Bank of Montreal’s Toronto headquarters, which annually hosts an artist project that can be visited by appointment.

Art of Redefining Gender

Chun Hua Catherine Dong, JJ Levine, Vitrine sur l'art, Peel Street, 2018. Photo : Mike Patten

Invited by Art Souterrain to curate the third edition of Vitrines sur l’art (Storefronts for Art), I agreed to collaborate on an event around gender, the theme chosen by Art Souterrain in 2018 in connection with recent news, particularly the “me-too” denunciations.

Rhythms of the imaginary of technology

David Rokeby, Machine For Taking Time, 2007. Collection of the Daniel Langlois Foundation. Photo: Maxime Boisvert

As part of the events celebrating Molior’s 15th anniversary, the exhibition looks at the development and appropriation of technology by artists, as reflected in the organization’s activities over the years. The initial intuition for the exhibition was inspired by a major research project conducted by Greg Lynn at the Canadian Centre for Architecture, looking at… Continue reading Rhythms of the imaginary of technology