Graeme Patterson. A Suitable Den. A Landmark Den

Graeme Patterson, A Suitable Den, Galerie des arts visuels de l’Université Laval (Laval University Visual Arts Gallery), 2018. (detail). Photo : Michel Boucher

For the Mois Multi 2018’s program, Graeme Patterson adapted an installation originally designed for the BMO Project Room, a small office on the 68th floor of the Bank of Montreal’s Toronto headquarters, which annually hosts an artist project that can be visited by appointment.

Art of Redefining Gender

Chun Hua Catherine Dong, JJ Levine, Vitrine sur l'art, Peel Street, 2018. Photo : Mike Patten

Invited by Art Souterrain to curate the third edition of Vitrines sur l’art (Storefronts for Art), I agreed to collaborate on an event around gender, the theme chosen by Art Souterrain in 2018 in connection with recent news, particularly the “me-too” denunciations.

Rhythms of the imaginary of technology

David Rokeby, Machine For Taking Time, 2007. Collection of the Daniel Langlois Foundation. Photo: Maxime Boisvert

As part of the events celebrating Molior’s 15th anniversary, the exhibition looks at the development and appropriation of technology by artists, as reflected in the organization’s activities over the years. The initial intuition for the exhibition was inspired by a major research project conducted by Greg Lynn at the Canadian Centre for Architecture, looking at… Continue reading Rhythms of the imaginary of technology

Richard Ibghy & Marilou Lemmens. The Power of Alienation

Richard Ibghy et Marilou Lemmens, Each Number Equals One Inhalation and One exhalation, 2016 (Photo : Paul Litherland)

About Richard Ibghy and Marilou Lemmens’ Life at Work, Leonard & Bina Ellen Art Gallery, Concordia University, February 18-April 16, 2016. For close to ten years, Marilou Lemmens and Richard Ibghy have been looking at human activity and the ways in which it has been taken over by commodification and the market economy. The curator… Continue reading Richard Ibghy & Marilou Lemmens. The Power of Alienation