Mat Chivers and Diane Borsato
Human Mineral

Diane Borsato, Gems and Minerals, 2018. Still image captured from video. Courtesy of the artist

My father was a geologist and my childhood was steeped in the scientific vocabulary specific to his field. To me, words like igneous, metamorphic and sedimentary rock embody the hard kernel of my father, his fascination with apparently inert matter and his singular awareness of long duration.

Disputed Territory

Alexis Gros-Louis, Önenha'; Wen'wa'/ [Superimpositions], 2022. (Partial view of the main hall). Photo: Mike Patten

Review of the exhibition : Önenha’; Wen’wa’/ [Superimpositions]Alexis Gros-Louis, artist (Curator: Terry Randy Awashish)Shé:kon Gallery, Montreal, Project Space, Biennial of Contemporary Aboriginal Art (BACA), from May 7 to June 18, 2022 (Published in Vie des arts Webzine)

Interregnum. Cohabiting the territory

Triennale Banlieue 2022. Interrègnes. Cohabiting with the Territory. Marie Perrault, principal curator; Yan Romanesky, co-curator. Pictured are Louise Noguchi, Searchers, 2016, Ludovic Boney, Afin d'éviter tous ces nœuds, 2017 (dr) and Boris Pintado, from the series Landlord, 2022, and CULTURE (tabula rasa), 2018. Photo: Guy L'Heureux

The current edition of the Banlieue! Triennial looks at the presence of nature in North American suburbs, praised for their natural setting.

The continent of life

Ciels racines, Anne-Marie Proulx, Manon Sioui, Andréanne Godin, Jacynthe Carrier, Caroline Gagné, Natalie Jean, Leila Zelli, Catherine Arsenault, Hannah Claus (details), Arprim. Centre d'essai en art imprimé, 2022. Photo : Marie Perrault

A review of the exhibition Ciels racines, presented at Arprim, center d’essai en art imprimé, Montreal, from January 21 to February 26, 2022.

Michael Belmore. Bowing to the Territory

Michael Belmore, Landing I & Landing II (Gwaabzang I & Gwaabzang II), 2008-2018. Photo : Marie Perrault

Anishinaabe artist Michael Belmore, who grew up in the region north of the Great Lakes, uses sculpture and installation to explore the limit states of materials, particularly copper and stone. He employs his time and techniques to establish these materials as figures of territory, particularly the territory of his birth.

Low voices by Estela López Solís

Estela López Solís, Susurrantes Series, 2014 -2016. White cotton thread embroidery, on used pillowcases and phrases collected and embroidered during a performance in front of an audience and performance during Les voix basses, 2021. Photo : Swann Bertholin

Personally challenged during my visit to Estela López Solís’ Susurrantes in 2017, I express in the selection and interpretation of the works, the intimate connection felt in front of them and will encourage visitors to explore their own sensibilities in turn.

Catherine Lescarbeau’s The Office Plant Department: A disruptive bio inc

Catherine Lescarbeau, Le département des plantes de bureau de l’UQO, (The Office Plant Department at UQO), 2016. Galerie de l’UQO. Photo: Pavel Pavlov

Since 2014, Catherine Lescarbeau has been producing bio-critical conceptual works, under the name of a fictional horticultural service company called The Office Plant Department.